Special Guests
Tom Longworth
Producer & Mixer
Tom Longworth is an award-winning producer and mixer whose work spans genres and generations of the UK music scene. A graduate of LIPA, Tom cut his teeth as an in-house engineer at Liverpool’s iconic Parr Street Studios, where he uncovered a deep passion for mixing, a craft he’s since made his signature.
With a diverse and ever-growing discography, Tom has mixed records for artists including Vistas, Gavin James, 220 Kid, David Guetta, Sundara Karma, Oscar Lang, Sombr, and two-time BRIT Award nominee Rachel Chinouriri. His adaptability, musical instinct, and refined sonic taste have made him a trusted collaborator for both emerging artists and established acts.
In 2025, Tom’s work on Rachel Chinouriri’s What A Devastating Turn of Events earned him Album of the Year at the MPG Awards, alongside producer Rich Turvey and mastering engineer Matt Colton.
Rich Turvey
Producer, Engineer & Co-Owner of Kempston Street Studios
Rich Turvey is one of the driving forces behind Liverpool’s evolving musical identity. From early days gigging on piano in Stoke-on-Trent to producing standout records for Blossoms and working closely with The Coral, Rich has carved out a career rooted in collaboration, curiosity, and craft. A graduate of LIPA and former in-house engineer at the legendary Parr Street Studios, he is now co-owner of Kempston Street Studios, a creative hub playing an active role in nurturing the city’s next generation of talent.
Known for his intuitive production style, incredible songwriting, and creative use of analog gear, Rich brings a thoughtful and artist-focused approach to every session. Whether it’s mentoring emerging artists through initiatives like the Future Fund or shaping debut records for rising stars like Ruby J, he remains deeply invested in Liverpool’s future sound.
Chris Taylor
Musician, Producer, Engineer, Studio Owner, Mentor
Chris Taylor is a cornerstone of Liverpool’s music industry, renowned for his versatility and work ethic, often dubbed “the hardest working man in the North.” He spent over a decade running the iconic Parr Street Studios, the UK’s largest recording facility outside London, hosting legendary artists such as Coldplay, Rihanna, and The Coral.
Alongside collaborators James Skelly (The Coral) and Rich Turvey, Chris relocated the operation in 2022 to the newly established Kempston Street Studios, preserving Parr Street’s spirit by designing a space built around natural light, collaboration, and a Dolby Atmos mix room.
Chris’s discography spans engineering, mixing, and production for a wide range of artists: Blossoms, Brooke Combe, The Coral, Red Rum Club, The Lathums, Miles Kane, Rachel Chinouriri, Courteeners, and many others. He’s equally respected as a live sound engineer, working front-of-house for Miles Kane, The Coral, The Lathums, Blossoms, Circa Waves, The Kooks, and many more.
Beyond the studio and stage, Chris is a dedicated mentor and educator. He was a Teaching Fellow at LIPA (2005–2015), guest-lectured at SAE, Red Bull Music Academy, and Trempolino Arts, and continues to shape emerging talent across the North.
His efforts have been formally recognised: he received MPG Award nominations in 2022 for Breakthrough Producer of the Year and Recording Engineer of the Year, and was invited to present the Studio of the Year award in 2023.
Mike Halls
Songwriter, Producer, Mixer & Mentor
Mike Halls is a multifaceted creative force in Liverpool’s music scene. As the founding lead vocalist and guitarist of Clean Cut Kid, he also crafts their sound as principal songwriter, producer, and mixer and has self-built a fully analogue studio for recording straight to tape. His harmonic sensibility, rooted in analogue recording, shapes personal yet universally resonant songs.
A 2009 Music LIPA graduate, Mike began his career as a session musician before co-forming Clean Cut Kid. Alongside fronting the band, he’s collaborated as a co-writer with acts such as The Coral, CJ Pandit, Saint Raymond, and Callum Beattie.
An active mentor in Liverpool’s production and songwriting community, Mike is dedicated to lifting up emerging talent, raising the tide for the next wave of creatives in the city. His commitment paid off at the 2025 MPG Awards, where Clean Cut Kid earned Self-Producing Artist honours for A Crisis of Faith at the Death of a Loved One.
Katie Tavini
Mastering Engineer
Whether it’s an artist’s first release or a seasoned pro’s greatest hits, Katie knows how to bring out the best in a mix. With years of studio experience and a natural ability to collaborate, she is sought after and trusted by artists, engineers, and labels across the music industry. Her discography speaks for itself, spanning everything from heavy metal to sweeping orchestral pieces. A true music lover, Katie thrives on exploring new styles and pushing sonic boundaries.
As a co-founder of the Weird Jungle mastering collective and 2% Rising, Katie has shown her passion for progress in the modern music industry.
Stephen Kerrison
Mastering Engineer
Through many years as a working musician and an almost obsessive, life-long love of music, Stephen Kerrison has developed a mastering skill set that has been trusted by hundreds of artists on labels like Moshi Moshi, Rock Action, Big Scary Monsters, Alcopop! Records, PRAH, Rocket Recordings and Human Worth.
Stephen’s background in underground music enables him to work empathetically alongside artists, engineers and producers, with full understanding and respect for their artistic processes and vision. Building from many years of personal experience, he knows how much making a record means - and how much it takes - so treats every project and masters every song with nothing but the utmost care and deference. This approach has resulted in his reputation as a trusted mastering engineer growing steadily, leading to him working as part of the Weird Jungle mastering collective.
Izzy Mcphee
Mastering Engineer
Based in Bristol, Izzy McPhee has been recognised by the Music Producers Guild and Arts Council England as an emerging and talented mastering engineer.
Izzy grew up surrounded by a melting pot of musical genres and combined with over ten years of DJ experience and critical listening behind her - knowing how a track should sound is her specialty. The last 2 years has seen her accrue over 250 mastering credits, with work spanning a wide range of genres and artists - including Walt Disco, Dream Wife and Marla Kether.
Izzy’s professional development has been supported by Saffron Music in Bristol and she received the Developing Your Creative Practice grant from Arts Council England in 2023. As her career develops Izzy also receives ongoing mentoring from the senior engineers at Weird Jungle.
A passionate advocate for diversity, Izzy continues to call for increased inclusion across the music industry.
Weird Jungle
Finding a great mastering engineer is hard - trust us, we've tried! Discovering an engineer who has high standards sonically, professionally and personally is rare...but they are trying to change that.
Weird Jungle is a creative mastering collective founded by Katie Tavini and Brendon Harding with a singular mission: to help artists release the best-sounding version of their music. As a dynamic team of audio professionals, Weird Jungle combines technical expertise and a passion for music to provide unparalleled mastering services and a first class customer experience.
Weird Jungle are committed to excellence and our carefully curated team of mastering engineers, including Stephen Kerrison and Izzy McPhee, bring their unique skills and perspectives to each project. With a keen ear for detail and a deep understanding of the art of mastering, Katie, Stephen and Izzy ensure that every track delivers the clarity and impact you need.
Evelyn Halls
Artist, Songwriter, Session Musician , Tour Manager, Band Member
Evelyn Halls is a musical polymath with a hands-on presence in every corner of the industry. From writing and performing to producing and mentoring, she shows how modern musicianship can take many forms.
A LIPA alumnus, she began her career exploring electronic pop before evolving into her solo project, Pet Snake—a soundworld shaped by grungy pop, early 2000s emo, and indie folk. In a world full of carbon copies, Pet Snake’s blend of introspection and raw honesty cuts through with unmistakable authenticity.
As a founding member of Clean Cut Kid, alongside Mike Halls, Evelyn contributes backing vocals, keys, cello, and live performance energy. The band has released multiple albums, headline tours, and supported acts like The Kooks, The Courteeners, and Michael Kiwanuka.
Her session work includes cello, keys, and backing vocals, showcasing her versatility across diverse live and studio settings. Offstage, she is an inspirational tour manager and mentor, guiding new artists and demonstrating that a sustainable music career is not only possible, but achievable.
Pet Snake’s recent singles, including Crashing and Getting Older, explore vulnerability and identity with emotional precision, underpinned by warm, lo-fi textures and raw, evocative lyricism.